By Susan Sechrist
“This is orthogonality at its core—going back to the beginning where new intersections are born, watching what unfolds from those unique moments of coming together, what curve or shape emerges and how those multiple shapes morph together.” Continue reading
“When I was a child,” Wineberg says, “I imagined life became steadier, more controllable, and smoother as people entered middle-age and beyond. But as I have grown older, experienced my life so far, looked at the world around me, and written these stories, my perspective has changed.” Continue reading
“Soon, several hundred sated, well-lubricated,
Turkish towel donning friends or strangers
will begin to filter out from the labyrinth
of thin-walled, cramped, private cubicles.” Continue reading
“Sometimes I channel my writing in the same way I channel my art. I try not to think hard about what I’m putting into the draft of an essay, but the hard work begins when I have to kill my darlings and shave the piece down to its essential parts. This is why I love to play with various forms and genres.” Continue reading
“The Dollhouse became a lens through which I could see my birth mother and myself. I could safely question my personal history and interrogate the myths of adoption, identity, feminism, and home.” Continue reading
by Andy Shi
“…Home Front Lines was inspired by the uncertain times following 9/11 and the increased threat to ordinary U.S. citizens. I wanted to think about how we might learn how to go forward in our daily lives by looking back at a similar time in our history for which we know the outcomes.” Continue reading
By Susan Sechrist
“Hidden in plain sight was this extraordinary relationship between words and numbers, a wonderful pair of guardians to help a child confront the confounding world, to provide comfort by inspiring curiosity.” Continue reading
Bloom 