by Lisa Peet
I craved—I still crave—transcendence, some kind of transformation to click through the plodding circuits in my brain and fire them up again, one by one, turning the lights back on. Continue reading
By Martha Anne Toll
“It came in a sudden gust, the thought that I could give it all up, throw everything overboard, ditch the career in social justice that I truly loved and that was close to forty years in the making, and do what had been calling me for decades: write full time.” Continue reading
by Martha Anne Toll
Despite vast differences in wealth, status, ancestry, time, and setting, the eight-year-old girl in John Singer Sargent’s The Daughters of Edward Darley Boit haunts me. Why? Continue reading
by Joe Schuster
“Maybe all stories are really about secrets and revelations” – K. L. Cook Continue reading
by Maureen Teresa McCarthy
She begins to understand deep and lasting connection, her ties with Mammy, Melanie, and Tara, that she has always ignored. She is still growing, still changing, even though she is a grown woman. She is not caught, even if the web is one she made herself. Continue reading
by Marlene Adelstein
Looking back, there were fleeting moments of ecstatic writing pleasure . . . That feeling of gratification is just enough to make me want to do the whole damn thing again, with a new story and new characters, no matter how long it will take. Continue reading
by Roy J. Adams
I asked the prof if he thought I had any chance of becoming a successful writer. He hesitated and said, “It takes commitment and tremendous discipline. To become an excellent writer requires a long apprenticeship and there is no assurance of success” … I decided that the risk was too great and looked for alternatives that offered a surer payoff. Continue reading
Bloom 