by Lisa Peet
I do a lot of writing in sections, montage, and then feel them out for the best order. In other words, a lot of tunneling—a hole here, one there, and eventually some catacombs emerge. Continue reading
by Lisa Peet
I do a lot of writing in sections, montage, and then feel them out for the best order. In other words, a lot of tunneling—a hole here, one there, and eventually some catacombs emerge. Continue reading
I do a lot of writing in sections, montage, and then feel them out for the best order. In other words, a lot of tunneling—a hole here, one there, and eventually some catacombs emerge. It’s lovely when a structure asserts itself—it’s like being a lost child wandering in a crowded place and all of a sudden someone trustworthy grabs your hand and pulls you to safety. Continue reading
by Lisa Peet
Everyone knows that the all-time worst query you can put to a creative person is Where do you get your ideas? I’m going to come clean here, though, and admit that I think it’s kind of a great question—maybe not to ask outright, but to wonder about. Continue reading