by Lisa Peet
“Throughout the process of reading her letters and then sculpting them into something new, I felt so much love—as if my mother was right there with me working on the book. To me, this speaks to the power of words.” Continue reading
by Lisa Peet
“Throughout the process of reading her letters and then sculpting them into something new, I felt so much love—as if my mother was right there with me working on the book. To me, this speaks to the power of words.” Continue reading
by Lisa Peet
“I never think in terms of topics, and I never think in terms of readers. What happens is that, at the risk of sounding like Joan of Arc, I hear a voice in my head that just says the first sentence of the story.” Continue reading
by Lisa Peet
“I’m not comforted by happy endings. I’m deeply comforted by always being in the middle of a story. I tell myself, this is the middle, and I hang on to that—I don’t know the ending and I’ve got to see this through.” Continue reading
by Lisa Peet
“There’s a part of me that’s all about the accidental find—you go to a museum to see one thing, and then you see something else and you’re amazed by it.” Continue reading
by Lisa Peet
Celebrating youth has been around as long as people have been counting candles, and it hasn’t fallen out of vogue yet. But I see more respect out there for older creators than I did 10 years ago. Continue reading
by Lisa Peet
“There’s an essay in my book from one of the most unglamorous places in the world, Waterbury, Connecticut, but I love it. I think you can find wonder and mystery everywhere. I think you can experience newness anywhere.” Continue reading
by Lisa Peet
“It was a tricky balance for me to go into this in a receptive spirit, and to find what might work for me in this way of looking at the relationship between the living family and the dead family.” Continue reading