Tomasi di Lampedusa’s language is relatively spare and direct but still formal and correct, and sprinkled with archaic terms. It is carnal and sophisticated, slyly humorous but still possessed of a kind of gravity and grace. Continue reading
by Sonya Chung
Lampedusa’s eventual success at portraying a layered, multi-caste society . . . is testament to the power of literature to shape the imaginative and emotional capacity of a devoted reader, no matter how sheltered his daily life.
by Vicraj Gill
Lee Monks of literary blog The Mookse and the Gripes describes Gardam as “a pretty much unanimously revered writer” that he “had yet to read a word of” before he picked up the recently released The Stories of Jane Gardam. Continue reading
by Jennifer Acker
He has been hailed as a writer who excels in the investigation of memory, but it’s not a fixed past that offers the siren’s call; it is a past that dreams of and anticipates a future full of longing for itself. Continue reading
by Jennifer Acker
He has been hailed as a writer who excels in the investigation of memory, but it’s not a fixed past that offers the siren’s call; it is a past that dreams of and anticipates a future full of longing for itself. Continue reading
by Vicraj Gill
“The fact that human beings do not put up forever with misery, humiliation, degradation, actual physical deprivation but act is a fact which every human being should know about. We are a species that makes changes.” Continue reading
